Billy Preston: That’s the Way God Planned It – A Musical Journey of Collaboration
Billy Preston, the legendary American musician, was a master of many instruments – piano, organ, guitar, and drums. But it was his soulful voice and his ability to infuse gospel, R&B, and rock into his music that truly set him apart. His career spanned over five decades, and during that time, he collaborated with some of the biggest names in the music industry, including The Beatles, Rolling Stones, Sly Stone, and Barbra Streisand. His album, “That’s the Way God Planned It,” released in 1969, is a testament to his incredible talent and his ability to bring together different genres and artists to create a masterpiece.
The album, “That’s the Way God Planned It,” was Preston’s fourth studio album and his first on the Apple record label, founded by The Beatles. It was a significant moment in his career as it marked his transition from a session musician to a solo artist. The album’s title track, “That’s the Way God Planned It,” was written by Preston and became a hit single, reaching number 11 on the Billboard Hot 100 chart. The album also featured collaborations with The Beatles, Rolling Stones, and other notable artists, making it a must-listen for music lovers.
One of the most iconic collaborations on the album was with The Beatles. Preston had been friends with the band since the early 1960s and had even played with them during their famous rooftop concert in 1969. The Beatles were going through a turbulent time, and Preston’s presence in the studio brought a sense of calm and positivity. He played the organ on their hit song, “Get Back,” and his contribution added a new dimension to the track. The song was released as a single with “Don’t Let Me Down” as the B-side, and it became The Beatles’ only single to credit another artist.
Another notable collaboration on the album was with the Rolling Stones. Preston had previously worked with the band on their hit song, “You Can’t Always Get What You Want,” and they were impressed by his talent. They invited him to play the piano on their song, “Can’t You Hear Me Knocking,” from their album, “Sticky Fingers.” Preston’s piano solo on the track is considered one of the best in rock history, and it perfectly captures the essence of the song. The collaboration between Preston and the Rolling Stones was a match made in musical heaven, and it is evident in the final product.
Preston’s collaboration with Sly Stone, the frontman of the band Sly and the Family Stone, was another highlight of the album. The two had met in the early 1960s and had been friends ever since. Preston played the organ on the band’s hit song, “Everyday People,” and it was his first major contribution to a hit record. The song went on to become a number one hit on the Billboard Hot 100 chart, and it solidified Preston’s reputation as a talented musician. The collaboration between Preston and Sly Stone was a perfect blend of funk and soul, and it showcased their mutual respect and admiration for each other’s music.
“That’s the Way God Planned It” also featured collaborations with other notable artists, including Barbra Streisand. Preston played the organ on her song, “I Can’t See Nobody,” and his soulful touch added a new dimension to the track. The album also featured a cover of the Beatles’ song, “Let It Be,” with Preston on vocals. His rendition of the song was praised by both fans and critics, and it remains one of the most memorable versions of the iconic song.
In addition to his collaborations with other artists, “That’s the Way God Planned It” also showcased Preston’s songwriting skills. He wrote six out of the nine tracks on the album, including the title track and “That’s the Way God Planned It (Parts 1 and 2).” His lyrics were a reflection of his faith and his belief in the power of music to bring people together. The album’s themes of love, peace, and unity resonated with listeners, and it became one of Preston’s most successful albums.
“That’s the Way God Planned It” was not only a musical masterpiece but also a testament to the power of collaboration. Preston’s ability to bring together different genres and artists to create a cohesive
